Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
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In a new interview, Daniel Kaluuya reveals he wasn’t invited to the ‘Get Out’ premiere at Sundance Film Festival. He also discusses ‘Black Panther 2.’
Spike Lee and Jordan Peele talk how "Get Out" proved that a certain Hollywood narrative is a lie and how "BlacKkKlansman's" Oscar love is tricky.
To read more from EW's Year End Issue, pick up the new issue of Entertainment Weekly on stands Friday, or buy…
Horror was a refuge for black filmmakers in the ‘70s, which saw the release of a number of memorable titles, whether it be the campy Blacula or the artful and resonant Ganja & Hess. And while the subsequent decades have seen a few solid horror flicks from black directors—Tales From the Hood the best among them—it was the release of Jordan Peele’s Get Out that again showed the potential of how racial struggles can be so effectively depicted through the genre’s conventions.
In a discussion with Norman Lear at the Produced By conference, the writer-director discussed his breakout film.
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